I've already proven that I can work hard. That realization has been sitting with me this week because, for a long time, working harder has been my answer to almost everything. Not enough progress? Work harder. Money isn't where I want it to be? Work harder. The music hasn't reached enough people? Make more music. Opportunity isn't knocking? Go find another door.
There is value in that mentality. Work has carried me through seasons when motivation couldn't. But I'm beginning to understand that the next version of me doesn't necessarily need to work harder. He needs to become more patient, more forgiving and more emotionally intelligent. And apparently, because I keep coming back to it, a lot more patient. I can't allow minor things to prevent me from making major moves.
Patience becomes complicated when you've been pursuing something for a long time. I've been doing this for more than ten years, and when you're over 40 and still pursuing monumental success through music, there is no shortage of messaging suggesting that your timeline is running out. I'd be lying if I said I never feel it. I want to see the success. I want to experience the financial benefits of that success and know what becomes possible when the songs, relationships, businesses and ideas I've spent years developing begin producing at the level I believe they can.
That creates temptation. You want to force the hit, force the income, force the harvest. But you can't pull a plant out of the ground faster by grabbing the stem. At some point, ambition has to learn patience without becoming passive. That's the balance I'm trying to understand.
I've spent years planting: songs, relationships, ideas, businesses, collaborations, introductions and conversations. Some of the relationships producing opportunities in my life today were planted years ago. Some are connected to people who haven't physically been here for a decade. That tells me something important: things can be growing even when I can't see them.
I can send the music, make the call, introduce myself, apply for the opportunity and follow up. Then I have to allow the seed some time underground. Constantly checking whether somebody responded isn't always diligence. Sometimes it's anxiety wearing a business suit. Replaying the conversation isn't watering the seed. Wondering what somebody thought about me isn't watering the seed. Sometimes I'm just digging the damn thing back up and asking, You growing yet?
Maybe confidence looks different. Plant more seeds. Water the right ones. Then keep living.
I asked myself an interesting question this week: What would I do differently if I knew monumental success was coming, but I didn't know when? Maybe 43. Maybe 45. Maybe 48. Maybe 52.
My answer surprised me. I wouldn't work harder. I'd be bolder. I'd call all the people. I'd apply for the festivals and grants. I'd look for every opportunity where the music fits. I'd submit the songs, collect the rejections and keep moving. I wouldn't allow somebody else's fear, doubt or judgment to make me question whether I belong in the bigger picture. I'd move unapologetically toward it.
That made me realize something uncomfortable. Maybe part of taking ownership of the dream is learning to behave that way without the guarantee.
I've also been thinking about ownership because of something much smaller. I've been helping my son with a computer problem, and I found myself getting frustrated because I wanted him to take greater ownership of solving it. Research the problem. Try something. Make a mistake. Come back with an update. Ask for help when he genuinely needs it.
Then I caught myself, because there have been seasons when I've done versions of the same thing with my own dream. Waiting for the collaborator. Waiting for the executive. Waiting for the partner. Waiting for somebody else to recognize the opportunity and help move it forward. Eventually, your dream starts moving at somebody else's pace.
What I want my son to understand isn't figure it out yourself. It's take ownership; I'm still here. There's a difference. And maybe that's something I've needed to hear too.
Collaboration isn't surrender. Guidance isn't weakness. Asking for help doesn't mean giving somebody else responsibility for your momentum. You can build with people and still own the dream.
Taking ownership also means being honest about what I've already built. I have more than a thousand songs that were recorded for clients. There are demos sitting in folders, ideas in notebooks, designs waiting to become real things, relationships developed over years and artists in my network whom I believe deserve opportunities and representation from people who genuinely have their best interests at heart.
Not all of that needs another brainstorming session. Some of it needs execution. Some songs can be reworked. Some demos need finishing. Some ideas need building. Some relationships need nurturing. Some artists need somebody to stop talking about what should exist and start helping build it.
I've spent a long time learning how to plant. Now I need to become equally intentional about the harvest.
There is another lesson I'm learning about ownership. During creation, the work needs freedom. You can't sit down to write a song while demanding that every chord justify its commercial potential. We're going to write a hit today. What does that even mean?
I'd rather sit down and make a dope song, then make another one. Eventually I'll probably make a terrible one too. That's part of it. Creation needs room for curiosity, mistakes, conversation and surprise. But once the song exists, something changes. Then I owe the product something. Finish it. Polish it. Present it properly. Figure out who it could fit. Pitch it. Release it. Give it a chance to travel.
During creation, protect the process. After creation, respect the product. Those two ideas aren't enemies. They're different stages of ownership.
There is one final piece I'm trying to understand. If I'm going to carry this dream for the long haul, I have to take better care of the person carrying it. That means rest, health, emotional intelligence, maintaining things before they're broken and handling obligations before they become emergencies. It means investing in how I present myself as an artist without manufacturing some peacock version of myself that doesn't exist.
The diamond is already there. The job is to make the shine easier to see.
Financial security has started to mean something different to me too. It isn't only a number in an account. It's stewardship: taking care of what I have, investing intelligently, staying on top of responsibilities, building infrastructure instead of constantly putting out fires, and trusting that when the next challenge comes, I'll find a way through it.
I've spent years proving that I'm willing to work. Maybe this next chapter is about proving that I know how to build: to create without immediately demanding proof, collaborate without surrendering responsibility, rest without believing I've abandoned the mission, maintain relationships without interpreting every unanswered message as rejection, harvest what's ready and leave the damn soil alone long enough for something else to grow.
Because I know something about myself now. Even if nobody could guarantee me monumental success, I would still create. I'd still make songs. I'd still help people. I'd still try to inspire somebody. Those things aren't marketing strategies. They're part of who I am.
But I haven't abandoned the ambition either. I still want the records to travel. I still want the financial success. I still want to build something generational. I still believe my best work can be ahead of me.
The difference is that I'm beginning to understand that taking ownership of the dream doesn't mean squeezing it until something happens. It means becoming responsible for everything I can control while developing enough patience to accept what I can't.
Make the song. Send the email. Make the call. Apply. Build the relationship. Take the rejection. Try again. Rest. Then wake up and make another seed.
Take ownership of the dream. Nobody else can carry it for you, but that doesn't mean you have to carry it alone.
Go Deeper
This week's Sunday Editorial continues privately on Patreon. I'm sharing the deeper creative story behind this week, including a brand-new song called Rum Glass, written with Nish after we connected through TikTok Live.
The song became evidence of what I've been thinking about: collaboration without surrendering ownership, protecting the process while you're creating, and then respecting the product enough to give it somewhere to go. Patrons get to hear Rum Glass while it's still part of the process and come inside the conversation about what happens next.
Hear Rum Glass and continue the Sunday Editorial on Patreon
Your best work can still be ahead of you. Keep pressing on.
— Dupes

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